Chris Ofili, Ovid-Actaeon, 2011–12, oil and charcoal on linen, 125″ x 78″. ©CHRIS OFILI/COURTESY THE ARTIST, DAVID ZWIRNER, NEW YORK AND LONDON, AND VICTORIA MIRO, LONDON/ COLLECTION OF ROBERT AND ANNE-CECILIE SPEYER, NEW YORK
Untitled (Afronude), 2007 The Studio Museum in Harlem; gift of Chris Ofili - AFROCO
Tam Joseph Born in Dominica – came to London in 1955 Sheffield Museums
“Timespan” by Tam Joseph ~ photo by Amanda Flynn
Sonia Boyce, From Tarzan to Rambo... detail 1987 © Sonia Boyce
Sonia Boyce, From Tarzan to Rambo... detail 1987 © Sonia Boyce
Sonia Boyce From Tarzan to Rambo... 1987, detail © Sonia Boyce
Simone Leigh, Loophole of Retreat (detail), 2019. Concrete blocks and sound, 6 min. 44 sec., dimensions variable. Courtesy the artist and Luhring Augustine, New York.
Simone Leigh, Jug, 2019. Bronze, 84 1/2 x 49 1/2 x 48 3/4 inches. Courtesy the artist and Luhring Augustine, New York. Photo: David Heald © 2019 The Solomon R. Guggenheim Foundation.
Zizipho Poswa, Hathor, Kemet, 2022, glazed earthenware, bronze (Image credit: Hayden Phipps and Southern Guild)
Zizipho Poswa, Songhai, Gao, 2022 , glazed earthenware, bronze (Image credit: Hayden Phipps and Southern Guild)
Sonia Boyce’s Missionary Position I, pastel on paper, 1985, 77.5 x 103 cm (30 1/2 x 40 1/2”)
Untitled, 1986, signed and dated (on the underside), burnished terracotta, height 32cm. Photo © Sotheby's
Magdalene Odundo’s hand-building method Photo: Stephen Brayne Right: The artist's smoothing method © Ben Boswell
Kahlil Joseph, 'BLKNWS,' 2018; 2-channel broadcast, Installation view at the Cantor Arts Center. (Courtesy of Cantor Arts Center)
Kahlil Joseph: BLKNWS 58th Venice Biennale – May You Live in Interesting Times May 11 – November 24, 2019